Jean.ne Paul.e Gaultier.e

Lettering

06-2021

Blessed to celebrating inclusivity through typography with Roxanne Maillet for the iconic Jean-Paul Gaultier ready-to-wear new collection, [Les Marins].

Festival International de Graphisme de Liège

Identity I Graphic and Type Design 07-2019

06-2021

Graphic and Type Design for the 5th edition of "Festival Incantatoire de Graphisme de Liège" @figliege

I'm happy to introduce you my new bb: [BB21] typeface, a yokai-type born from the spirit of the stairs of Les Brasseurs, Liège.

Discover my text about notion of "Absence as presence" on www.2021.figliege.com designed by @estellendjoppom with a nice use of my [ARCADE] type!

BOOKMARK for Temple Magazine

Bookmark I Graphic and Type Design

07-2019

[La femme la plus riche du monde: ruinée après une demi-journée à Porquerolles] Bookmark we have designed with Guillaume Sbalchiero for Temple Magazine. Text by Baptiste Rossi composed in [Mesh 2D], typeface I sculpted initially in 3D for the new identity of Revue Diorama No.2, Geometric City.

MONO

Typedesign I Alphabet

04-2020

[MONO] orignal drawing was part of the MONO exhibition at DOC in July 2017. Here is the development of the font in progress.

LOGOTYPE for Katarzyna Cichy

Logotype I Identity I Typedesign

03-2020

Logotype for Katarzyna Cichy, fashion designer, finalist of Festival de Hyères 2020. Photos credits: Léa Guintrand and Paul Mouginot.

LOGOTYPE for Katarzyna Cichy

Logotype I Identity I Typedesign

03-2020

Logotype for Katarzyna Cichy, fashion designer, finalist of Festival de Hyères 2020.

MEMORABILIS: Résurgence de la typographie fantaisiste dans les années 1970

Memoir I Book Design

06-2017

« Memorabilis : Résurgence de la typographie fantaisiste dans les années 1970 » is a memoir that I wrote during my last year of Master at ENSBA Lyon (Graphic Design). It questions the correlations between two golden ages in advertising typography, the 19th century and the 1970s. Dissertation director: Alice Savoie [http://frenchtype.com/] Examiner: Jean Cléder / Photography by Léa Guintrand, retouching by Ludmila Armandin.

MEMORABILIS: Résurgence de la typographie fantaisiste dans les années 1970

Memoir I Book Design

06-2017

« Memorabilis : Résurgence de la typographie fantaisiste dans les années 1970 » is a memoir that I wrote during my last year of Master at ENSBA Lyon (Graphic Design). It questions the correlations between two golden ages in advertising typography, the 19th century and the 1970s. Dissertation director: Alice Savoie [http://frenchtype.com/] Examiner: Jean Cléder / Photography by Motoki Nakatani.

RIDE for Léa Guintrand

Lettering for video

07-2017

The [Ride or ride] video deals with the aesthetics of the bike and its rider. Its questions the use of the image by codes implemented in the BMX universe: from typography to dress as a pure formal representation oscillating between advertising slogan and contemplative tracking.

HANGTAGS for Simon Lextrait

Branding I Graphic Design

11-2019

Development on several supports of the identity for Simon Lextrait.

SHIBORI

Lettering

06-2017

Hommage to André Chante.

MIRE TYPEFACE

Typeface I Alphabet

07-2017

Titration typography used in Diorama No.1 and for the Collection AW17 Toroïdal Supercoil by Simon Lextrait.

Available soon on revue-diorama.com

FAT MAN

Lettering

06-2017

Mire typeface in use for Simon Lextrait's first collection.

LOGOTYPE for Simon Lextrait

Logotype I Identity I Branding

11-2017

Logotype for Simon Lextrait's Fashion Brand.

SIMON LEXTRAIT SS20 CAMPAIGN

Campaign

02-2020

Kamil dancing with the wind for the SS20 campaign shot by Jules MOskovtchenko and styled by Hamish Wirgman.

SIMON LEXTRAIT SS20 BADGES

Lettering I Substance Design

08-2019

Emboidered SL badges for Simon Lextrait SS20 Collection [Caldeira].

OR for Léa Guintrand

Lettering for video

07-2017

The [Ride or ride] video deals with the aesthetics of the bike and its rider. Its questions the use of the image by codes implemented in the BMX universe: from typography to dress as a pure formal representation oscillating between advertising slogan and contemplative tracking.

REVUE DIORAMA NO.1, LEGIBILITY

Revue I Graphic and Type Design

11-2018

Following in the footsteps of 1970s international type specimen newsprint and type foundries journals, the Revue Diorama is a project which takes as a starting point an historical quote. The latter is sent to a variety of guests for them to react to. The editorial team then gives shape to these contents in a bespoke way for each of the issue of Revue Diorama.

Available soon on revue-diorama.com

DIORAMA TYPESPECIMEN NO.1, LEGIBLITY

Printed matters

05-2019

Eight printed objects in risography and hot foil, limited edition of 100copies. Format : 190mm × 250mm.

Available soon on revue-diorama.com

BAD IDEA

Logo Design I Type Design

09-2018

Identity development and typedesign for the video game studio Bad Idea.

MESH TYPEFACE

Typedesign I Alphabet

Revue Diorama chooses for each issue a typeface to compose the seven letters of the word «diorama» on the front cover, before introducing its own definition with the same typography. For this second issue, we choose Mesh typeface Mesh’s original drawing comes from a sculpture of a hybrid furniture. As Jean Alessandrini announced in his Codex 80, this “computrice” refers to the early typefaces legible by machines. An aesthetic that was taken up and digested by science-fiction at the time. Having as basic principle in our video game to be able to stand up, Mesh typeface thus populates the world with his letters and can be read as a 3D type specimen in the virtual world of Revue Diorama No.2. We can see it evolve under many seams: gigantic, luminous, material to construct buildings, ceilings, etc. It is by using the same vanishing point to shoot that we obtain the .otf version of 2D Mesh. This sense of perspective, reminiscent of its 3D object history, allows us to benefit from a wide variety of bevels, reflecting the concerns for a systematic modernism, exacerbated and absurd.

Available soon on revue-diorama.com

REVUE DIORAMA NO.2 GAMING

3D Type I Gaming I Virtual experience

Initiated in 2017 in a dynamic approach to the narratives medias between bibliophilia and technophilia, the theme of this second opus, based on a sentence by painter Victor Vasarely, invites us to question the new forms of the reading experience. This is why, exclusively for Revue Diorama No.2, an interactive extension will be added to the print and the website: a video game. Linked to the book, this virtual diorama representing a city of words retraces the sentence of the call for contributions, in a real situation of gameplay. A geometric city, or “typomondo”, emerges from an iridescent desert. A “3D series” and an original concept of digital-magazine will be available online for free on the shop www.revue-diorama.com. A common summary traces in the version of the book the location of contributions in the virtual world. Establishing a real dialogue between the two supports, it is through updates - like episodes of a tv-show- that the contributions from the publication will be interpreted into a 3D object and integrated into the game throughout 2020. An evolutionary work, which will give rise to various digital ambulation events.

Available soon on revue-diorama.com

FUWA FUWA

Lettering

06-2018

Lettering for Motoki Nakatani's photographic project [FUWA FUWA].

LOGOTYPE for MDPC

Logotype I Branding

01-2020

Logotype for Ministère Des Petites Choses.

NECICA

Lettering

Extract from a serie of lettering research for Motoki Nakatani's photographic project [Necica].

REIHE TYPEFACE FAMILY for Simon Lextrait

Type Design I Identity I Branding

11-2017

Development of the visual identity for the brand SIMON LEXTRAIT. Creation of [REIHE] typeface, in 5 weights (Bold Extended, Bold, Semi-bold, Regular and Light). Tribute to Oskar Schlemmer.

PHYLACTÈRE

Logo Design I Type design

04-2020

Design of the logotype for the [Phylactère] project, review and event initiated by Roxanne Maillet and Auriane Preud’homme at the occasion of a residence in Marseille (Rond Points Projects) / Tribute to Jean Larcher.

PHYLACTÈRE

Logo Design I Type design

04-2020

Design of the logotype for the [Phylactère] project, review and event initiated by Roxanne Maillet and Auriane Preud’homme at the occasion of a residence in Marseille (Rond Points Projects) / Tribute to Jean Larcher.

REVUE DIORAMA NO.2, GEOMETRIC CITY

Mock Up

09-2019

3D Mock-up of the book series for the second issue by Baptiste Poligné.

MONO at Doc (Paris)

Sculpture I Exhibition I Visual art I Typography I Identity

07-2017

[MONO] was drawn as part of the MONO exhibition at DOC in July 2017. These pieces refer to the book “La peinture monochrome” by Denys Riout. Images: MONO, Wooden letters, acrylic, 500 x 600 x 5 mm I Light box: 700 x 1000 x 150 mm I Logotype: Hommage to Wim Crouwel, questioning the typographic monochrome. More infos: [http://doc.work/event/mono/]

RIDE for Léa Guintrand

Lettering for video

07-2017

The [Ride or ride] video deals with the aesthetics of the bike and its rider. Its questions the use of the image by codes implemented in the BMX universe: from typography to dress as a pure formal representation oscillating between advertising slogan and contemplative tracking.

LAUNCHING OF REVUE DIORAMA NO.1 at Studio H13 (Lyon)

Exhibition

11-2018

Launch of Revue Diorama No.1, Legibility at Studio H13 (Lyon) in November 2018. With participation of the artists Marine Zonca and Hugo Laporte. Photography by Motoki Nakatani.

FRUIT OF THE LOOP

Logotype I Editorial I Art direction

03-2020

Co-curation of the collective project « Aujourd’hui: One mix a day everyday » by Fruit of the loop during the quarantine. Drawing by Estelle Vanmalle.

BETWEEN MY WALLS OF OIL GLISTER, BETWEEN THESE WALLS OF HIDDEN WHISPER for Nicolas Goudket

Book design

09-2018

Art direction and graphic design of an illustrated story written by the Belgian artist Nicholas Goudket. Design in collaboration: Marine Stephan Format: 110 x 155 cm

LIRE LIRE LIRE LIRE LIRE LIRE for Alice Cadillon

Journal I Graphic and Type Design

01-2018

Design of the visual identity of LIRE LIRE LIRE LIRE LIRE LIRE, an event about performing the reading organized by Alice Cadillon at the Muntpunt in Brussels. Hommage to Juriaan Schrofer.

C/O MAGICK for Care Of Magick

Logotype I Type Design I Identity

06-2018

Development of the visual identity and logo design for the Berlin studio of Art and Creative Direction in Music Care of Magick in collaboration with Guillaume Sbalchiero.

RENÉ for Rouge Gorge

Vinyle I CD I Graphic and Type Design

12-2019

Development of the graphic and typographic identity for the new Rouge Gorge album [René] published by Doki Doki éditions and Poussière d’époque. Visual by Margaux Parillaux.

REVUE INTIALES NO.9, PIERRE KLOSSOWSKI

Revue I Graphic Design

04-2017

Graphic design in collaboration with Marine Stephan. Coordination: Marie Proyart. Publication Director: Emmanuel Tibloux. Redactor in Chief: Claire Moulène. Associate redactor: Jérôme Mauche. Format: 22,5 x 30 cm / 128 pages. Printing House: Deux-Pont Manufacture d’art (Grenoble) Launching: Fondation Ricard (Paris), Galerie Descours (Lyon). More info on: [http://www.revueinitiales.com/pierre-klossowski] + [http://www.lespressesdureel.com/ouvrage.php?id=5457&menu] Photography by Motoki Nakatani.

MOB for Léa Guintrand

Lettering for video

07-2017

The [ride or ride] video deals with the aesthetics of the bike and its rider. Its questions the use of the image by codes implemented in the BMX universe: from typography to dress as a pure formal representation oscillating between advertising slogan and contemplative tracking.